Her deepening affair with a separatist spurs a wealthy Manhattanite to return to the Bronx, where she grew up, and reevaluate her Puerto Rican cultural roots.

Years after she's assumed dead by the palace, a young noblewoman, now trained as a shaman, returns to court to reclaim her rightful position as queen.

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On a random night of summer 1998, two good friends from a boarding school travel through time to 15 years ahead by pure happenstance. Wandering in the same neighbourhood where they were still growing up, they discover changes in their friends and loved ones - some of which are inevitable. Places which they enjoyed moments ago became remnants of the past while other shops appear to be timeless. In this magical tale which is also a social commentary, the two children seek to understand the world and themselves in 2013 through their innocent minds, and perhaps learn the first lesson on the passage of time.

Four characters, four screens. The audience immersed, as stupefied as in a shopping mall electronics shop. Your attention flickers, trying to take it all in, not miss crucial details. The work seems unlimited in all directions, and it’s dazzlingly overwhelming. But you adjust to the overload. You realize the sound design is gently guiding your attention from screen to screen. You can make your own interpretations, even your own edit, your own film. So you discover moments that seem like outtakes: delightfully unexpected, notable non-incidents in the character’s lives that would usually be off-screen. But here, there is no off-screen.

Four characters, four screens. The audience immersed, as stupefied as in a shopping mall electronics shop. Your attention flickers, trying to take it all in, not miss crucial details. The work seems unlimited in all directions, and it’s dazzlingly overwhelming. But you adjust to the overload. You realize the sound design is gently guiding your attention from screen to screen. You can make your own interpretations, even your own edit, your own film. So you discover moments that seem like outtakes: delightfully unexpected, notable non-incidents in the character’s lives that would usually be off-screen. But here, there is no off-screen.

Yousry Nasrallah's powerful adaptation of Lebanese writer Elias Khoury's epic novel of fifty years of Palestinian dispossession, exile, and resistance. The film follows the flight of Younes, his wife Nahila, and those around them, from their village in northern Palestine to a refugee camp in Lebanon. Some vow to continue the struggle, most simply struggle to survive. Unsparingly detailing the impact of the nakba (disaster) on Palestinian life and society and the refugees' often-contentious relationship with their reluctant Lebanese hosts, Gate of the Sun spans generations, mixing personal stories with historical events.

At 2:46 PM on March 11, 2011, the Fukushima Daiichi Nuclear Power Plant experiences a black out due to the aftermath of the Tōhoku earthquake and tsunami. The cooling system fails at the nuclear power plant and the temperature of the nuclear reactor rises. The worst case is coming. Scientists face an unexpected situation and government officials are confused by lack of information. Residents says goodbye to their hometown before evacuating.

Four friends, Karel, Milan, Tomáš, and Vinco, lose their jobs in Ostrava’s working-class districts and, with their livelihoods gone, struggle to redefine themselves. They launch various business ventures but lack experience, leading to repeated failures. Pressure mounts on their friendships and private lives as tensions flare. Through setbacks and mutual support, they embark on a journey of self-discovery, learning resilience, solidarity, and the true meaning of identity and camaraderie in a changing world.

To investigate his father’s death, Tai, a young zookeeper, becomes involved with the gang of godfather Boon, leading him to uncover the truth.